my house is an edit of the diana ross classic its my house, inspired from the horse meat disco boiler room set from the eagle in london. high rollers is a mid tempo cut inspired by our appreciation of 80 s funk & disco.

after repeatedly being visited by a strange messenger in his dreams while on tour in the islands of greece, toby pazner became consumed with a vision to tell the stories of theolympians through music. chosen by the gods as a messenger for not only his musical gifts, but for his unique position at the center of the daptone family, toby built a home studio from scratch and employed some of the top soul musicians in the world to help him breath life into this album. the result is a dramatic and cinematic journey to the outer limits of instrumental soul music, built on a foundation laid by the same craftsmen who’s bricks built the legacies of sharon jones, lee fields, charles bradley, the budos band, and menahan street band, and painted with lush strings, harpsichord, harp and horns. the olympians is destined to be the instrumental gem of the year.
the vinyl lp includes a download code.

mace. appearances are scarce. as his music is. scarce, dirty, brown and miserable, as the bunker guys would say. a mechanical reflection, not a choice of soothing harmonics. not melodious structures. the survival of the fittest, harsh economics, suicidal stock brokers, piling up as much as possible before leaving. these are four things everyone will be talking about today. and so lux rec does. the last piece is a joint venture together with diana berti of veleno viola .

new york experimentalists sheik n beik continue on form as they follow up records from japans keita sano, legowelt & xosar and jeffrey scott with a bold and atmospheric 12inch from jerry riggs & maxwell church a.k.a hermans. hailing from toronto - hermans specialise in their own brand of esoteric techno that lends them perfectly to a release on sheik n beik. their things change ep slots neatly into the catalogue with its blend of spooky melodies and analogue drum work. diana (how youve changed) kicks things off with an infectious vocal loop and juddering drum patterns. brooklyn’s max pask then follows up with his take on diana which sets 909 drums over a thick, burning acid line. endless toil then follows up with a tightly wound groove built with metallic whacks and frazzled, flexing synth tones. forget the past then brings the package to a thumping close as manic synth lines dart between crunching drums in another strong addition to sheik n beiks catalogue.

reissue / repress , the artwork is presented in its original form, a gatefold sleeve with those typical 80s styled black & white pictures of michael, badder than ever!

second release by the label founder ti es. it is a limited edition ep which exemplifies the soul of the label and features a preview of the next releases. enjoy!

2016 repress - further heat from gay marvine, brightening up every floor with powerful uplifting dj tools, the essence of the heat of the party. this time we have lost disco classic that just gets you burning, the funk of war given the perfect disco treatment, diana giving it to you like only she could (and later michael would, his exact staccato style), and luv tempo of factory favorites who later had a member who completed her phd in the cultural politics of the house music aesthetic in 1995. serious business for any floor!

summed&dot are writing the 3rd chapter of gmufs journey into the future. -shadows in the dark ep- brings john and filippo back together from a long time darkness. fasten your seat belt and take a ride on their warm analog sound through time and space.

cin cin, a series of split 12’s from fort romeau (ghostly int. / running back / robert johnson) and warm’s ali tillett. each instalment bringing together friends old and new in a spirit of collaboration and togetherness. kicking things off is label boss fort romeau and ex ostgut ton honcho and panorama bar man nick höppner. “untitled” sees fort romeau whip out the 909 for some acidtechnohousemusic while nick indulges in some ukg influences with steppers “stay” and “splicing hues”

this double pack 12 inch will include 6 previously unreleased and highly coveted remixes. stars of the show are two extremely coveted and previously unreleased 12 inch mixes from teena marie and tata vega. the teena marie track has previously been released in edited form on a flexidisc, which generated a huge amount of praise and excitement within the motown community, and are sure to become dancefloor staples upon release.

paris based dj and producer reverend p have been on the gamm radar for quite some time. but its not until now that we managed to get his wonderful edits released through gamm. spread out over two eps reverend p delivers soul, funk and boogie reworks that sets himself up there with all the big players on the edit scene. on part 2 you will find two killer edits of diana ross and merry clayton that together will please all the soul and boogie fans.

in 2011 jaki whitren & john cartwrights original international times lp saw a release on emotional rescue after originally hitting the shelves in 1982. the pair are now part of a remix ep by misericord and one-time internasjonal producer al usher, who supplies two remixes and a dub, while a spacey aphophenia dub to the track times has added for extra measure. ushers first rework of stay cool sounds like a 2013 meeting between a purple-clad prince and a young diana ross, while the dub version sees princes funk make way for giorgio moroder sound design. on the flip is a acoustic-leaning and inspirational this time, which could easily soundtrack a mesmeric highway-driving scene from thelma & louise.

another hand stamped 12 inch of edits out on glenview records: a cool balearic styled edit of > king of hollywood< by the eagles, followed by a chunky edit the jones girls disco classic > you gonna make me love somebody else< b/w two more disco classics from stephanie mills and diana ross. three snaps! edit disco

better than a classic cafe del mar compilation, piano cloud offers the sweet samplings of balearic ambience mixed with the cheeky love-hangover of a disco-dance-diana instrumental.

mit den vier musikern der erfolgsband reamonn uwe bossert, gomezz, sebastian padotzke und philipp rauenbusch, und ihrem neuen bandmitglied thom hanreich (band vivid, solo: thom.) haben sich fünf menschen gefunden, die der enzyklopädie der musikgeschichte allesamt klangvolle kapitel hinzugefügt haben. alle fünf wissen gut, wie rock n roll schmeckt und wie ruhm riecht. und doch steht ihnen der sinn nur nach einem: musik, die mit ernsthaftigkeit entsteht, sich aber alles andere als zu ernst nimmt.
stereolove veröffentlichen mit stereo loves you ihr erstes gemeinsames album. nach >this is it< schicken stereolove mit >what if (i just want to go home)<, einem starken popsong mit unwiderstehlicher hook die zweite single ins rennen, welche der titelsong zur neuen romantischen komödie mit diana amft >frisch gepresst< (disney) ist.
gepresst auf farbigem doppel-vinyl - 1x blau marmoriert, 1x orange marmoriert.

hotmix presents joe drive. known for his releases on mathematics and lux records. he offers an excellent ep with shades dark and deep

two fantastic disco edits: soirees string laden disco cover of diana ross - you keep me hangin on is on the a-side. originally it had some spotty vocals on it but they got edited out leaving a killer disco instrumental. b/w an extended edit of somethin bout you by millie jackson. comes in the new glenview die cut sleeve.

the disco, soul and boogie selection - 8x full length retro classics. vinyl pack 1 of 2 of extended mixes from: >bobby & steve - the anniversary collection 1984 - 2004: past, present, future< cd mixes.

limited edition super loud double vinyl, also contains free junior vasquez mix cd!
the music on this two volumes of 2x12 lp features tracks that were the soundtrack to voguing, the dance style that erupted in new york city between 1988–1995.

this album reminds me of those old scratchy 78s

played by reboot, joris voorn, martinez, christian prommer, lee curtiss, sis, ... ever wondered what a butch diana ross on acid might sound like…? well youre about to find out… but before we get to overside, youve gotta enjoy and marvel at the sheer brilliance of the rest of jairo catelos latest offering on silicone souls darkroom dubs. our man from the asturias has rapidly built a strong and loyal following thanks to his beautifully crafted house cuts. jairos ability to bring together dubby textures and an innate soul within his productions is most enviable. his warehouse ep features three original new cuts backed by a rework from french house guru, phil weeks. lead cut soul school is something of a two-headed beast. whilst its kick-drum and dramatic synth stabs drive it with a serious dose of funk, it still retains a warm-summer soul that will keep the fillies moving. then, as a little sax break goes to our head, were flipped and the beats and bass get sleazy and old school. killer! mr. weeks beings some 90s flow to the table on his remix. working the guitar licks and bassline hard but always retaining a smooth as silk groove, phil shows just how to keep the dancefloor cookin. a beautiful house record from one of the very best. >yairos 303 acid< mix of overside finds us getting upside down and inside out. serious funk with an injection of some classic acid styles. final cut >the shake< sees jairo roll out drums. a lazy bassline is swarmed by ripping snares and a host of percussive sites and sounds. a perfect close to a pretty much perfect ep.

the next ep on germany s hello? repeat imprint comes from seuil, one of paris s most inspired underground producers. in terms of style, it is a match that could hardly be more perfect. hello? repeat has spent the past six years carving a niche for itself with eps from cabanne, audio werner and label co-founder daze maxim, plus acclaimed albums by bruno pronsato and kate simko. seuil, meanwhile, has put out a steady stream of ultra-deep 12-inches on labels like freak n chic and sammy dees ultrastretch. both specialize in a sound that is modern, understated and hypnotic. late call is exactly what its name suggests: a record made for the deepest, most tender portion of the night. the drums are slick and punchy, but the rest is woozy and romantic–this is one to put on when the crowd has stopped chatting and everyone s dancing with their eyes closed. topping it off is a vocal line made famous by diana ross but recited here by an androgynous diva: if you need me, call me, no matter where you are, no matter how far… dark, trippy and weirdly moving, this is one of seuil s finest tracks yet. >slow motion< strikes a similar chord but with a more subtle approach. here you notice seuil s rare touch for subtlety: in the absence of any real >hook<, he keeps the track moving with expertly sculpted drums, a warm half-melody and a gently propulsive beat. soft chords sustain in the background to create a balmy summer night feel. both tracks show seuil and hello? repeat doing what they do best: delivering something deep, functional and full of character.

ashford & simpsons return to europe for the first time in 20 years is celebrated with the release of this 16 classic song compilation on limited edition double album. nicholas ashford & valerie simpson are soul icons responsible for gold and platinum hits through the 60s, 70s and 80s for such artists as marvin gaye, chaka khan, diana ross and gladys knight (their solo hits include >solid<). this is the first time many of these have been assembled on one collection, but expansion have gone one step further by combining the hits with seminal disco records like >over & over< (sylvester), the two-step anthem >keep away girls< (stephanie mills), the awesome >california soul< (by marlena shaw, as utilized by kfc), the modern soul smash >top of the stairs< (collins & collins) and an exclusive remix of >aint no mountain high enough< (marvin gaye/tammi terrell).

here is the next instalment in kat records, sub-label kat45. this time sees rossoulano from the blackbeard camp, who were infamous in the early noughties with their soulful re-workings of stateside nu soul & hip hop originals into a more organic sound and championed by the like of giles peterson.
first up here we have rossoulano’s extended version of the supremes – stormy. originally produced by henry cosby in 1968, the man behind motown classics stevie wonders ‘my cherie amour’& smokey robinson & the miracles tears of a clown, stormy is one of the hidden gems from diana ross’s supremes. released on vinyl for the first time here and sounding all the mightier for it…
on the flip we have an the mysterious friends in lo places… an rnb/neo soul melter that harks back to blackbeards edit hey day and acts as a nice reminder as to why the name still rings true to many a soul aficionado.

melbournes finest mic newman reignites the offshoot murmur-? label with three incisive, deep house cuts that prove why hes at the beating heart of the australian house scene and stirring up support worldwide for his consistently quality output.

peter b and daniel gloomy present cardiac arrest sales pack. feat. the labels first 3 releases in a nice price triple vinyl pack. feat. a lot of hard techno finest producers like viper xxl, switchblade, matt m maddox, weichentechnikk, greg notill and many more

collen and webb strikes back again, full on reworks based on motown classics, from diana ross, to marvin gaye, to stevie wonder...ulitmate package for full discrening dancfloor effect!!

cosmic club is a label focused on releasing original obscure dance classic. for this 9th release, we give you the opportunity to grab 4 fantastic trax once again. first (on a1), comes up the great cheaps moliendo café in its purest form (i.e. instrumental version), obviously very rare to find & sought after (as all the tracks on this really special release). try to buy it today anywhere on the net, it will cost you a leg! on a2, we have the amazing diana est tenax (tony carrasco instrumental dub mix). on b1, we get esavu breakin up & b2 bo boss tequila originally released on il discotto.

safe and sound comes our starting in the spring of 2009. when first flowers bloom and the asphalt smells sweet a bit like summer, then spring-time is just around the corner. the spring in electronic music is expecting the next vinyl by hammeschmidt & lentz. this lp is a high-quality creation of musical arts including inspirations of new expeditions through parts of the world in the recent past. three of these expedition reports are now available on a 12 vinyl. the main result of intensive research is: if the slogan yes, we dance! would be more present at more places in the world, it surely would be more pleasant in whole life. well, say yourself every day: yes, we dance!

based on the diana king 90s classic!! rivaz & playmen mixes!!

great remixes by richard earnshaw, andy ward, redsoul and central avenue!!

diana ross cover from dave lee complete with dj spen remix and accapella

hot cakes breaks re edits of peter bjorn & john young folks and cool electrohouse mash up between clipses wamp wamp and camille jones the creeps, plus a dubby breaks version of diana ross please mr postman.

accapellas from the good old times feat martha reeves & the vandellas, diana ross, the temptations, the supremes and marvin gaye & tammi terrell

accapellas from the good old times feat diana ross, martha reeves & the vandellas, marvin gaye and the temptations

back in 1993 munichs into somethin crew started a clubnight entitled maiden voyage. the idea behind it was simple while the successful weekly into somethin sessions set up by michael reinboth, florian keller and theo thoennessen in 1989 kept on providing a take on the current state of dancemusic from a jazz djs point of view the guys wanted to etablish another night dedicated strictly to the classics. jazz, soul, brasil, boogie and disco have been on the musical menu at maiden voyage ever since. michael reinboth and florian keller still love to play a set at maiden voyage every now and then but both guys left the ships bridge to concentrate on their variety of other projects in the late 90s. theo and rainer were joined by roland appel of fauna flash, trüby trio and voom:voom fame instead to form the infamous threepiece that kept on keeping on ever since

tasty house production in different mixes, big room beats, groovin basslines, wet synth sounds and nice vocals!!!contains samples from diana ross - take me higher

prepare yourself for 4 more goddamn hard rocking dancefloor killers with annihilating kicks and twisted percussions !!

part two of two, great selected deep soulful house tracks... inludes tracks by diana king , janet rushmore , da lata , osunlade and mr v

der amboss gottes und die trierer antwort auf dj pierre kreuzen die klingen und trinken das blut ihrer feinde

repress !! ultraphat hardtechno monster ep with sexy female vocals (aural exciter!!!)

nice price

trance

fetenhits

for jayda g, joy is a state of mind. whether she transmits it through her upbeat productions or magnetic energy at the decks, the canadian-born dj and producer, real name jayda guy, is a beacon of empathy on the dancefloor. mixed cd

2x mixed cds, incl. gui boratto, douglas greed, gheist and more

die trance-essenz des jahres von publikumsliebling und dj-spitzenplatzrekordhalter armin van buuren (insgesamt 5-mal nr.1 der dj mag top 100) feiert ihr 15-jŠhriges jubilŠum! die besten trance-tracks des jahres, gewŠhlt von den hšrern seiner weltweit ausgestrahlten radioshow -a state of trance- (in deutschland auf sunshine live), in zwei atemberaubenden megamix-sets auf doppel-cd. angereichert mit persšnlichen favoriten des djs und mit einer gesamtspielzeit von Ÿber 2 stunden - ein persšnliches jahresabschlussgeschenk fŸr jeden trance-fan

3 cd box to celebrate 25 years of discobar galaxie playing whatever the hell they like. contains a unique 36p illustrated discobar galaxie history booklet. also included download code for the exclusive disco bar galaxie 25 light-years mix